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New works in an old capital and a appearance of beat Japanese art from the ’80s and ’90s. Plus, Guatemalan masks, a pop-up appearance and an exhibition adherent to an afflicted anniversary. Here are nine exhibitions and contest to analysis out in the advancing week:

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New exhibitions at OCMA Expand. While their new Thom Mayne-design architectonics is beneath architectonics in Costa Mesa, the Orange County Building of Art has been application a acting armpit central an old appliance exhibit abreast South Coast Plaza and I actively dig. (More museums in easy-to-access bandage malls, please.) For their new annular of exhibitions they are putting on a alternation installations by Diego Berruecos, York Chang, Victoria Fu, Matt Rich, Fritzia Irizar, UuDam Tran Nguyen and Hiromi Takizawa that blow on issues of control, power, accuracy and reality. Opens Sunday and runs through Sept. 1. South Coast Plaza Village, 1661 W. Sunflower Ave., Costa Mesa, ocma.net.

An beforehand adaptation of this account misstated the aperture time and day for the countdown exhibition of Susanne Vielmetter Los Angeles Projects’ new space.

Heidi Hahn, “Burn Out in Shredded Heaven,” and Jarvis Boyland, “On Hold,” at Kohn Gallery. Kohn is hosting a brace of new abandoned exhibitions. The aboriginal appearance assignment by Hahn, a New York-based painter whose acutely saturated canvases generally affection changeable figures, best frequently in states of brooding or alienation. The added is announcement new assignment by the Chicago-based Boyland, whose intimate, allegorical canvases accouterment the intersecting capacity of atramentous and queerness. Abounding of these compositions are based on photographs that the artisan reconfigures. Opens Saturday at 6 p.m. and through May 23. 1227 N. Highland Ave., Hollywood, kohngallery.com.

New paintings by Jarvis Boyland, above, are allotment of a two-artist appearance at Kohn Arcade in Hollywood.

(Kohn Gallery)

“Parergon: Japanese Art of the 1980s and 1990s,” at Blum & Poe. This is the added chapter of a two-part appearance adherent to Japanese art of the ’80s and ’90s, analytical capacity such as retro-futurism, simulation and civic boundaries. Organized by absolute babysitter Mika Yoshitake, this includes assignment by an agitative 25 artists, including Kenjiro Okazaki, Mariko Mori, Masato Nakamura and Eye, the aftermost of whom will present a appropriate achievement on aperture night. Opens Saturday and runs through May 19. 2727 S. La Cienega Blvd., Culver City, blumandpoe.com.

Patty Chang, “The Wandering Lake, 2009-2017,” at the Institute of Abreast Art Los Angeles. Aggressive by a turn-of-the-20th-century travelogue about a brief anatomy of baptize in the Chinese desert, this installation, produced over several years, explores belief of landscape, politics, ancestors and mourning. On April 10, Chang will be accomplishing a alive account from a accompanying artisan book that includes texts by Jill Casid, Valie Export, Herman Melville and Alice Walker. Through Aug. 3. 1717 E. 7th St., burghal Los Angeles, theicala.org.

Michi Meko, “When It’s Atramentous Outside,” at E.C. Liná. In a new installation, the Atlanta-based artisan examines concepts of atramentous and affiliated birth through arrange of altar that accommodate cartography, casting adamant skillets and elements of sound. Opens Saturday at 5 p.m. and runs through May 18. 4480 W. Adams Blvd., West Adams, Los Angeles, eclinagallery.com.

“Haint Removal,” 2019, by Michi Meko, at E.C. Liná.

(E.C. Liná)

“Artists Use Photography,” at Praz Delavallade. A accumulation appearance considers the conceptual uses of photography as aggressive by an exhibition of the aforementioned appellation that was staged in Buffalo in 1976. Participating artists accommodate Martha Rosler, Analia Saban and Sung Tieu. Through May 11. 6150 Wilshire Blvd., Carthay, Los Angeles, praz-delavallade.com.

“Perennial,” a pop-up exhibition by Koplin Del Rio. For years, Koplin del Rio active a amplitude in Culver Burghal afore relocating to Seattle in 2016. But the arcade is aback in boondocks with a special, five-day pop-up exhibition to mark administrator Eleana Del Rio’s 30th year with the gallery. The accumulation appearance includes assignment by artists that accept historically apparent at the gallery, including Robert Pruitt, Suné Woods, Einar and Jamex de la Torre, Sandow Birk and Kerry James Marshall. April 9-13. 1056 S. Fairfax Ave., koplindelrio.com and facebook.com.

“Guatemalan Masks: Selections from the Jim and Jeanne Pieper Collection,” at the Fowler Museum. This accumulating of 80 masks depicts Guatemalan actual and cultural figures, as able-bodied as active animals and accepted deities — all affiliated with a ambit of allegorical festivals and contest that are additionally actual in the show. This includes masks active in dances that allegorize the acquisition and the adventure of San Simón, or Maximón, a accepted folk saint aggressive by a alloy of Spanish and Maya lore. Opens Sunday and runs through Oct. 6. 308 Charles E. Young Drive N., Westwood, Los Angeles, fowler.ucla.edu.

“Dead Spaniard,” fabricated in San Cristóbal, Guatemala, in the aboriginal 20th century.

(Jim and Jeanne Pieper / Fowler Museum)

“Lucky 13: Ceremony Show: the Fine Art of Graffiti and Street,” at Corey Helford Gallery. The arcade is appearance its 13th ceremony with a appearance that will affection a ambit of works by artery and graffiti artists whose assignment is generally rendered on or aggressive by the burghal canvas. This includes assignment by D*Face, Logan Hicks, Ron English, Estevan Oriol and Miss Van, amid many, abounding others. Opens Saturday and runs through May 11. 571 S. Anderson St., Los Angeles, coreyhelfordgallery.com.

LAST CHANCE

Candice Lin, “The Inscrutable Speech of Objects,” at Weingart Gallery. Lin is an artisan absorbed in the actual histories of colonialism, the belief of traded appurtenances such as opium, tea, ceramics and sugar. For this work, she has created an accession that uses some of these abstracts (sugar pikestaff and tobacco) to reflect on a 1980 article that active the Chinese accent to altercate with questions of sentience. Through Friday. Occidental College, 1600 Campus Road, Eagle Rock, oxy.edu.

Maj Hasager, “Iterations,” at 18th Artery Arts Center. Hasager is presenting a activity aggressive by her analysis on the Pico adjacency of Santa Monica — architectonics an addition actual annal on the area. Through Friday. 1639 18th St., Santa Monica, 18thstreet.org.

“Stargazers: Intersections of Abreast Art and Astronomy,” at the Frank M. Doyle Arts Pavilion. This accumulation exhibition, aggressive by the aperture of a new planetarium at Orange Coast College, brings calm works by artists such as Lita Albuquerque, Lia Halloran, Russell Crotty, Laura Gruenther and added abstracts whose works reflect on aspects of amplitude and time. Through Saturday. Orange Coast College, 2701 Fairview Road, Costa Mesa, orangecoastcollege.edu.

“Color Out of Space,” at Lowell Ryan Projects. H.P. Lovecraft’s abbreviate adventure “Color Out of Space” is about a meteor that crashes into a rural breadth and brings with it impossible colors from the alien alcove of the galaxy. The story’s capacity — which approach notions of ambiguity and the cabalistic — are explored by bristles artists in a new accumulation show: Mark Flood, Nasim Hantehzadeh, Kysa Johnson, Laurie Nye and Galen Trezise. Through Saturday. 4851 West Adams Blvd., West Adams, lowellreyanprojects.com.

“Artful Words,” at the Getty Museum. Words accept never aloof been words. They accept additionally been art — rendered with baroque lines, aureate inks and added embellishments. This exhibition gathers assorted examples of the adept means in which texts accept been rendered on assorted surfaces, including aflame manuscripts, a Koran and Italian ceramics. Through Sunday. 1200 Getty Center Drive, Brentwood, Los Angeles, getty.edu.

“Butterfly, Marine Mollusk, and Pear,” 1561, by Joris Hoefnagel, in “Artful Words.”

(J. Paul Getty Museum)

ONGOING

Cristian Răduță, “The Diamond Hunters,” at Nicodim Gallery. The Romanian artisan creates absurd beastly abstracts from assorted genitalia — a table leg, mannequin pieces, a allotment of aqueduct and countless added begin objects. A assembly of the camp and the surreal. Through April 13. 571 S. Andersen St., Los Angeles, nicodimgallery.com.

Takashi Murakami, “Gyatei2,” at Gagosian. The arcade is presenting a alternation of works by the biggy Japanese artisan aggressive by his alloy of sci-fi, anime, pop ability and acceptable Japanese painting. The exhibition appellation comes from a accepted sutra in Mahayana Buddhism that is chanted by zen groups. Its words are anticipation to announce broad-mindedness or rebirth. Through April 13. 456 N. Camden Drive, Beverly Hills, gagosian.com.

Kim Dingle, “I Will Be Your Server (The Lost Supper Paintings),” at Susanne Vielmetter Los Angeles Projects. The Los Angeles painter is accepted for her images of beastly little girls affianced in acts of destruction. In her latest appearance at Vielmetter, she presents works on card from 14 years ago that had been filed abroad in a pizza box and after misplaced. Through April 13. 6006 Washington Blvd., Culver City, vielmetter.com.

“No I.D.,” 2006, by Kim Dingle, on appearance at Susanne Vielmetter Los Angeles Projects.

(Jeff McLane)

Brian Rea, “Islands,” at CMay Gallery. Rea, an L.A. artist, produces afloat geometric patterns that are crafted from accurate layers of words that additionally action as burst narratives. The appearance is the aboriginal in CMay Gallery’s new area in Mid-Wilshire. Through April 13. 5828 Wilshire Blvd., Mid-Wilshire, Los Angeles, cmaygallery.com.

Annie Leibovitz, “The Aboriginal Years, 1970-1983,” at Hauser & Wirth. Originally presented by the LUMA Foundation in Arles, France, this exhibition brings calm added than 4,000 images airtight by the biggy bedrock columnist in the aboriginal years of her career. The appearance appearance claimed images as able-bodied as the assignment from Rolling Stone that fabricated her a civic figure. Through April 14. 901 E. Third St., burghal Los Angeles, hauserwirth.com.

Yevgeniya Mikhailik, “A Slow Conflict,” at Grand Central Art Center. Paintings analyze the change of the apple at scales both geological and minute, calling for a deeper, added claimed assurance with the accustomed landscape. Through April 14. 125 N. Broadway, Santa Ana, grandcentralartcenter.com.

Details of a assignment by Yevgeniya Mikhailik at the Grand Central Art Center

(Yevgeniya Mikhailik / GCAC)

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David Alekhuogie, “Gravity,” and Mariah Garnett, “Trouble,” at the Los Angeles Municipal Art Gallery. The arcade is featuring a brace of abandoned shows. This includes assignment by Alekhuogie, whose paintings and collaged images blow on tropes of burghal hip hop ability and macho sexuality. Garnett, in her aboriginal institutional exhibition in the meantime, presents assorted beginning documentaries, including one adherent to Belfast, Ireland and addition about aggressive veterans angry Hollywood achievement men. Through April 14. 4800 Hollywood Blvd., Hollywood, lamag.org.

Rafael Cardenas, “Landscape and Land Dwellers: Photography of Place,” at La Plaza de Cultura y Artes. Cardenas is broadly accepted for his artery photography. In this new exhibition he brings calm a alternation of portraits and mural images that acquisition the affiliation amid bodies and abode in Los Angeles. Through April 15. 501 N. Main St., burghal Los Angeles, lapca.org.

Lisa Solomon, “Hinan / Evacuation,” at Walter Maciel Gallery. In her fourth abandoned exhibition at the gallery, Solomon focuses on the belief of Japanese Americans confined during Apple War II. Some of her assignment manipulates the signage of the era (such as the abominable alteration affiche that began, “Instructions to all bodies of Japanese ancestry”), while added pieces focus on the cultural rituals that fabricated activity in the camps tolerable on a circadian basis. Through April 20. 2642 S. La Cienega Blvd., Culver City, waltermacielgallery.com.

Graciela Iturbide, “Hay Tiempo,” at Rosegallery. The Mexican columnist is accepted for axis a acute and anapestic lens on countless subjects, whether it’s aboriginal groups in southern Mexico or Chicano adolescence in East L.A. This appearance gathers assignment by the artisan in account of her abandoned exhibition at the Building of Fine Arts Boston, the aboriginal above East Coast presentation of her work. Through April 20. Bergamot Station, 2525 Michigan Ave., D4, Santa Monica, rosegallery.net.

“Volantin, San Martin, Tilcajete, Oaxaca,” 1976, by Mexican columnist Graciela Iturbide

(Graciela Iturbide / Rosegallery)

Tarrah Krajnak, “1979: Contact Negatives,” at as-is. The artisan is transforming the arcade into an accessible photo flat and darkroom of sorts that she will apply to metaphorically accelerate herself to Lima, Peru, the burghal area she was adopted from an abode in 1979. Through April 20. 1133 Venice Blvd., Pico-Union, Los Angeles, as-is.la.

“West of Modernism: California Clear Design, 1975-1995,” at the Los Angeles County Building of Art. A appearance fatigued from LACMA’s growing accumulating of architectonics altar looks at a transformative moment in clear design, aback alone designers were acceptable added high-profile, the home computer was afraid up the means in which architectonics could be produced and images were acceptable added burst and layered. Through April 21. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org.

“MONUMENTality” at the Getty Analysis Institute. An exhibition about monuments and monumentality looks at the role that these structures comedy as symbols of power. The appearance includes a advanced arrangement of works from beyond cultures and time, including depictions of the pre-Columbian Nazca curve in the Peruvian desert, a affected about-face of age-old Rome as depicted by 18th aeon printmaker Piranesi, attenuate 19th aeon photographs that appearance a citizens insurgence during the canicule of the Paris Commune in 1871 and affidavit of abreast earthworks. Through April 21. 1200 Getty Center Dr., Brentwood, getty.edu.

Desert X, in locations about the Coachella Valley. The arid biennial is aback with a alternation of installations by artists such as Mary Kelly, Cara Romero, Julian Hoeber, Nancy Baker Cahill and and others, all absorption on the accompaniment of our brittle environment. Through April 21. See the website for programming and locations, desertx.org.

“Going Nowhere Pavilion #01,” by Julian Hoeber, on appearance in Arid Hot Springs as allotment of Arid X.

(Carolina A. Miranda / Los Angeles Times)

Sheree Hovsepian and Paul Mpagi Sepuya, at Team Bungalow. A appearance of assignment by two photographers appearance two actual altered approaches to the medium: Hovsepian explores the art of the craft, accumulation photography with photograms and the aesthetic possibilities of the darkroom, while Sepuya takes on homoerotic portraiture. Through April 21. 306 Windward Ave., Venice, teamgal.com.

Sam Gilliam, “Starting: Works on Paper, 1967-1970,” and Chris Martin, “The Eighties,” at David Kordansky Gallery. Kordansky is affairs calm a alternation of never-before-seen works on cardboard by Gilliam, the Washington, D.C.-based abstruse artisan accepted for authoritative painting sculptural: draping canvas in galleries, or ascent his canvases assimilate askew frames. This includes some of his age-old experiments, from the 1960s: bankrupt pieces, expressionist pieces and works with calligraphic inks and ablaze washes. Additionally on appearance is a appearance of paintings by New York artisan Chris Martin, absorption a moment of alteration for the artisan during the 1980s. Through April 27. 5130 W. Edgewood Place, Mid-Wilshire, Los Angeles, davidkordanskygallery.com.

“Untitled,” 1967, by Sam Gilliam, at David Kordansky Gallery

(Lee Thompson / David Kordansky Gallery)

Diedrick Brackens, “Unholy Ghosts,” and Anna Sew Hoy, “The Wettest Letter,” at Assorted Baby Fires. The arcade is aperture a brace of abandoned shows. The aboriginal appearance assignment by Brackens, who creates bolt works that abode cultural histories that frequently blow on African American identity, and a added showcases Hoy, who creates almighty forms out of abstracts such as ceramics and textiles. Through April 27. 812 N. Highland Ave., Hollywood, vsf.la.

“Behind Face” and Betye Saar, “Spirit Catcher,” at Roberts Projects. The arcade is presenting a brace of shows: the aboriginal is a accumulation exhibition featuring assignment by a ambit of artists — Noah Davis, Forrest Kirk, Celeste Rapone, Betye Saar and others — exploring notions of character and self. Separately, the arcade is screening the documentary “Spirit Catcher: The Art of Betye Saar,” about the L.A. aggregation artist.Through April 27. 5801 Washington Ave., Culver City, robertsprojectsla.com.

Klaus Frahm, “The Fourth Wall,” at Galerie XII. The German columnist employs a large-format camera to abduction the stages of theaters and opera houses as apparent from the stage. These acknowledge capacity of the architecture, but additionally the mechanics of what makes a date a stage. Through April 27. 6150 Wilshire Blvd., Carthay, Los Angeles, galeriexii.com.

Tschabalala Self, “Bodega Run,” at the Bang Museum. For her Bang Project, Cocky is presenting the final abundance of a activity aggressive by the bend accessibility store, or bodega. Assets and neon signs arm-twist the shelves of these burghal bartering centers that additionally action as ad-lib acquisition spaces. Through April 28. 10899 Wilshire Blvd., Westwood, hammer.ucla.edu.

“Bodega Run Diptych,” 2017, at the Bang Museum

(Collection of the Luma Foundation)

Pontormo, “Miraculous Encounters,” at the Getty Museum. In the 1520s, Florentine painter Pontormo created a beaming larger-than-life painting of the Virgin Mary’s affair with her accessory St. Elizabeth. The painting remained about alien until it appeared in a baby abbey in Carmignano in the aboriginal 20th century. It is now on appearance in Los Angeles for the actual aboriginal time, forth with accompanying assets and two portraits. The appearance was organized by the Getty in accord with the Gallerie degli Uffizi in Florence and the Morgan & Library Building in New York. Through April 28. 1200 Getty Center Drive, Brentwood, Los Angeles, getty.edu.

“Unsettled,” at the Approach Springs Art Museum. A accumulation appearance appearance assignment by added than 75 artists active or alive in the “Greater West,” encompassing a arena from Alaska to Central America, as able-bodied as a assorted ambit of media, including painting, sculpture, photography and performance. There will alike be Twitter poems. Through April 30. 101 Building Drive, Approach Springs, psmuseum.org.

Sandra de la Loza, “Mi Casa Es Su Casa,” and Sara Kathryn Arledge, “Serene for the Moment,” at the Armory Center for the Arts. The Armory has a brace of shows on view. The first, by De la Loza, is an immersive accession complete from collaged images that abide on the attributes of character and community. Additionally on appearance are a alternation of paintings by the backward Arledge, an artisan accepted for her ablaze landscapes and beginning filmmaking. Through May 12. 145 N. Raymond Ave., Pasadena, armoryarts.org.

Beatriz Cortez, “Trinidad / Joy Station,” at the Ability Contemporary. At a moment of political dystopia, the L.A. artisan imagines a bit of utopia: a affected amplitude base that suggests a communal, aboriginal amplitude afar from commercialism and Western civilization. She additionally recycles symbols of the military-industrial circuitous — say, a anatomy that evokes the alembic area the aboriginal diminutive bomb was detonated, angry into a berry repository. The appearance wrestles with our difficult present, too: one alternation is aggressive by the beds inhabited by accouchement in bound apprehension centers. Through May 12. 5814 Wilshire Blvd., Mid-Wilshire, Los Angeles, cafam.org.

Structures from “Trinidad / Joy Station,” by Beatriz Cortez

(GinaClyne / Beatriz Cortez / Commonwealth and Council)

“Focus Iran 3: Abreast Photography and Video,” at the Ability & Folk Art Museum. The third abundance of this biennial adherent to Iranian art and ability turns its lens to adolescence culture. The appearance is organized in accord with the Farhang Foundation and appearance 42 works from Iranian artists from about the world. Through May 12. 5814 Wilshire Blvd., Mid-Wilshire, Los Angeles, cafam.org.

Allen Ruppersberg, “Intellectual Property 1968-2018,” at the Bang Museum. Over the advance of his career, the U.S.-based conceptual artisan has active elements of accepted ability — newspapers, magazines, bandage posters and added — to actualize analytical juxtapositions of angel and text. This is the aboriginal absolute analysis adherent to his assignment in added than 30 years and will affection some of his groundbreaking aboriginal ecology installations, including “Al’s Cafe” from 1969 and “Al’s Grand Hotel” from 1971. Through May 12. 10899 Wilshire Blvd., Westwood, Los Angeles, hammer.ucla.edu.

“Brognon-Rollin: Maybe Some Of Us Will Change This,” at the ICA LA. Artists David Brognon and Stéphanie Rollin, contrarily accepted as Brognon-Rollin, formed with acceptance at Metropolitan High Academy on a activity about political tensions, clearing and the U.S.-Mexico bound — which included a trip, with the students, to the border. Collectively, they accept produced a multi-site complete accession that contends with these issues in the Oaxacan whistled accent of Mazatec, a assignment created in accord with linguist and drillmaster Eloy Garcia. The complete allotment will be presented at the ICA, as able-bodied as Metropolitan High Academy and ice chrism trucks that ply the streets about the academy and the museum. Through May 12. 1717 East 7th St., burghal Los Angeles, theicala.org.

A detail from an accession by the duo Brognon-Rollin at ICA LA that deals with clearing and the border

(Brognon-Rollin)

Vanessa German, “$lang: Abbreviate Accent in Soul,” at Gavlak. Using begin altar — in particular, best tennis rackets — that she abundantly harvests from her adjacency in Pittsburgh, German creates “power figures” and added altar that abide on the attributes of atramentous changeable backbone and identity. Through May 18. 1034 N. Highland Ave., Hollywood, GavlakGallery.com.

“Dirty Protest: Selections from the Abreast Collection, at the Bang Museums. An exhibition fatigued from contempo acquisitions to the museum’s abiding accumulating brings calm abreast works by added than 30 all-embracing artists. The appearance takes its appellation from a 2015 painting by Tala Madani included in the show. Through May 19. 10899 Wilshire Blvd., Westwood, Los Angeles, hammer.ucla.edu.

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Steven Hull, “Our Little Chapel by the Lake — The Transformation of Jesus Christ,” at Meliksetian Briggs. In his added abandoned accession at the gallery, Hull is presenting a three-part exhibition that includes a appearance of abstruse paintings with a active sculpture, allegorical paintings and carve and a almanac absolution and achievement (the closing of which will abutting out the show). The appearance continues to analyze the capacity — such as abyssal and the carnivalesque — for which Hull is able-bodied known. Through May 25. 313 N. Fairfax Ave., Beverly Grove, Los Angeles, MeliksetianBriggs.com.

“Once Upon a Tapestry: Woven Tales of Helen and Dido,” at the Norton Simon Museum. Helen of Troy was the admirable age-old charlatan whose kidnapping launched the Trojan War. Dido was the aboriginal queen of Carthage, who abundantly dead herself on a burial pyre. This exhibition looks at the means in which these women and their belief accept been depicted in a alternation of bristles 16th and 17th centuries tapestries. Through May 27. 411 W. Colorado Blvd., Pasadena, nortonsimon.org.

“Arrival of Paris and Helen at the Court of Priam, Baron of Troy,” c. 1500-25, from an alien Brussels workshop

(Norton Simon Foundation)

Michael Rakowitz, “Dispute Amid the Tamarisk and the Date Palm,” at REDCAT. Rakowitz afresh fabricated account for crumbling to participate in the Whitney Biennial in beef of a trustee whose aggregation produces breach gas that was deployed on immigrants at the border. Now he is accepting his aboriginal exhibition in Los Angeles, a politically absent accession that explores the history of Iraq. The appearance takes its appellation from a Sumerian account in which a baron plants a tamarisk and a date approach in his courtyard and the two copse altercate their claim with anniversary other. Through June 2. 631 W. 2nd St., burghal Los Angeles, redcat.org.

Rauschenberg: The 1/4 Mile, at the Los Angeles County Building of Art. The book maker Robert Rauschenberg was accepted for authoritative affected works, including a awe-inspiring 190-panel accession that aback accumulated alcove about a quarter-mile in length. The appearance includes ambient complete and added added elements. Through June 9. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org.

“Charles White: A Retrospective,” at the Los Angeles County Building of Art. Over the advance of a added than four-decade career, this affecting artist, abecedary and activist produced assignment that acclaimed African American history and atramentous pride and accursed institutional racism. The show, organized by LACMA in accord with the Art Institute of Chicago and the Building of Modern Art in New York, brings calm added than 100 paintings, drawings, prints and photographs from throughout the amount of White’s activity as he confused amid Chicago, New York and Los Angeles. The presentation will accommodate 13 added works from LACMA’s abiding collection. Through June 9. 5905 Wilshire Blvd., Mid-Wilshire, lacma.org.

“Encore: Reenactment Photography,” at the Getty Center. A accumulation appearance brings calm works by a ambit of abreast photographers who analyze the abstraction of the reenactment: the restaging of actual or added contest for the camera. This includes works by Christina Fernandez, in which she stages scenes from her family’s history; Yasumasa Morimora, who employs himself to re-create acclaimed works of art; and Gillian Wearing, who takes on the guise of actual and circadian figures. Through June 9. 1200 Getty Center Drive, Brentwood, Los Angeles, getty.edu.

“1950, San Diego, California, 1995,” by Christina Fernandez in “Encore.”

(Christina Fernandez / J. Paul Getty Museum)

“The Jeweled Isle: Art from Sri Lanka,” at the Los Angeles County Building of Art. The aboriginal absolute analysis of celebrated Sri Lankan art organized by a U.S. building is featuring 240 works of art fatigued from about 2,000 years of the country’s history. This includes adorning altar crafted in gold, argent and ivory, furnishings, celebrated photographs and charcoal from angelic Buddhist sites. Through June 23. 5905 Wilshire Blvd., Mid-Wilshire, Los Angeles, lacma.org.

Roy DeCarava, “The Assignment of Art,” at the Underground Museum. The Harlem columnist accepted for his adept chronicles of atramentous activity is the accountable of a abandoned exhibition that pairs able-bodied with the Broad’s “Soul of a Nation,” which appearance a cardinal of his works. Through June 30. 3508 W. Washington Blvd., Arlington Heights, TheUnderground-Museum.org.

“Auto-Didact: The Juxtapoz School,” at the Petersen Automotive Museum. Custom car ability has had a extensive access on American ability in general, including art, area representation, architectonics and finishes accept all had an influence. The appearance appearance works by Von Dutch, Sandow Birk, Gary Panter, Mister Cartoon, Robert Williams, Suzanne Williams and abounding others. Through June. 6060 Wilshire Blvd., Mid-Wilshire, Los Angeles, petersen.org.

“Tsuruya Kōkei: Modern Kabuki Prints Revised & Revisited,” at the USC Pacific Asia Museum. Kōkei, a key postwar artist, is accepted for his 20th aeon booty on the Kabuki print, apprehension celebrated arch actors and important date works in means that apply acute blush and motion. This exhibition gathers 77 prints from the ’80s and ’90s and additionally explores how Kabuki adumbration has aggressive Pop and added forms of abreast art. Through July 14. 46 N. Los Robles Ave., Pasadena, pacificasiamuseum.usc.edu.

A kabuki book by Tsuruya Kōkei at the USC Pacific Asia Museum

(USC Pacific Asia Building Collection)

Kudzanai Chiurai, Zina Saro-Wiwa and Mikhael Subotzky, “Inheritance: Contempo Video from Africa,” at the Fowler Museum. A accumulation appearance appearance contempo video assignment by three abreast African artists who abode issues of environment, amusing issues and actual realities in their work. Through July 28. UCLA, 308 Charles E. Young Dr., Westwood, fowler.ucla.edu.

Adia Millett, “Breaking Patterns,” at the California African American Museum. Millett creates assignment aggressive by the attributes of quilts — pieces in which disparate pieces appear calm to anatomy a cohesive, apartment whole. Through Aug. 25. 600 Accompaniment Drive, Exposition Park, caamuseum.org.

“Plumb Line: Charles White and the Contemporary,” at the California African American Museum. A appearance of assignment by abreast artists reflects on the advancing access of painter and abecedary Charles White, accepted for his delineation of the atramentous figure, frequently rendered in mystical ways. The appearance includes works by Sadie Barnette, Diedrick Brackens, Kenturah Davis, Toyin Ojih Odutula, amid abounding others. Through Aug. 26. 600 Accompaniment Drive, Exposition Park, Los Angeles, caamuseum.org.

“Gráfica América,” at the Building of Latin American Art. An exhibition looks at printmaking in its assorted manifestations, featuring assignment by added than 100 artists and adept printers, including Mexico’s Taller de Gráfica Accepted and L.A.’s own Mixografía, accepted for the prints that extend into three dimensions. Participating artists accommodate Pepe Coronado, Sandra C. Fernández and Fernando De León. Through Sept. 1. 628 Alamitos Ave., Long Beach, molaa.or

“Soul of a Nation: Art in the Age of Atramentous Ability 1963-83,” at the Broad museum. Originally organized by the Tate Modern in London, this accumulation exhibition focus on art by African Americans appearance pieces by added than 60 affecting artists who formed during a aeon of civilian rights tumult and moments in which questions of character were befuddled into abrupt abatement in the United States. The appearance includes a advanced ambit of aesthetic categories — art photography, abstruse expressionist painting, political posters — that analyze facets of atramentous history and atramentous character at a determinative time. It contains assignment by key L.A. artists or affecting abstracts who spent determinative years in Los Angeles, including Betye Saar, Senga Nengudi, David Hammons, Noah Purifoy and Daniel LaRue Johnson. Not to be missed. Through Sept. 1. 221 S. Grand Ave., burghal Los Angeles, TheBroad.org.

“A Boy in advanced of the Loew’s 125th Artery Movie Theater,” 1976, by Dawoud Bey, in “Soul of a Nation.”

(Dawoud Bey)

“Aspects of Nude: Selections From the Abiding Collection,” at the California African American Museum. This exhibition, fatigued from the museum’s abiding collection, explores how the nude has been active in means both animal and political by a ambit of artists, including Romare Bearden, Charles Dickson, Alison Saar, John Outterbridge and abounding others. Through Sept. 8. 600 Accompaniment Drive, Exposition Park, Los Angeles, CAAmuseum.org.

“Life Model: Charles White and his Students,” at Charles White Elementary School. In affiliation with the Charles White attendant at LACMA, the building is acclimation this exhibition that looks at the backward artist’s appulse on the art apple as a teacher. The exhibition appearance assignment by abounding of his students, including David Hammons, Judithe Hernández, Kerry James Marshall and Kent Twitchell. Through Sept. 15. 2401 Wilshire Blvd., Westlake, Los Angeles, lacma.org.

Jennifer Levonian, “Lost Islands of Philadelphia,” and Jon Haddock, “The Things (that do not atom joy),” at Grand Central Art Center. Grand Central Art Center is appearance two decades with several shows, including paintings by Levonian (inspired by some long-gone littoral islands in Philadelphia) and a bank mural by Haddock. Added works — including paintings by Yevgeniya Mikhailik and an accession by Angel Nevarez and Valerie Tevere exploring development and gentrification — are additionally on view. Through Sept. 15. 125 N. Broadway, Santa Ana, grandcentralartcenter.com.

“The Archival Impulse: 40 Years at LACE,” at Los Angeles Abreast Exhibitions. LACE, the celebrated Los Angeles art atom that gave key shows to Mike Kelley and groups such as Survival Analysis Laboratories in the ’80s, is axis 40 — and to mark the occasion, the alignment has been dabbling about its emblematic attic (aka its archive) to see what it ability about-face up. This appearance gathers elements from that annal as able-bodied as video works by a ambit of Los Angeles artists, including Jim Shaw, Susan Mogul and Reza Abdoh. Through December 31. 6522 Hollywood Blvd., Hollywood, welcometolace.org.

“Indian Country: The Art of David Bradley,” at the Autry Building of the American West. This analysis exhibition examines the four-decade career of Bradley (Chippewa), who is accepted for bearing vibrant, allegorical paintings aggressive by the Native acquaintance — while additionally wryly dabbling at average and Hollywood tropes. Through Jan. 5. 4700 Western Heritage Way, Griffith Park, Los Angeles, TheAutry.org.

“To Sleep, Perchance to Dream,” 2005, by David Bradley

(Wheelwright Building of the American Indian)

“L.A. Communities Through the Eyes of Artists,” in the Passageway Arcade at Union Station. For 15 years, L.A.’s arch alternation base has been showcasing assignment that reveals the burghal through the eyes of its artists. This year, it is assuming a alternation of anew commissioned pieces — including Shizu Saldamando’s delineation of Little Tokyo, Sam Pace on Leimert Park and Artemio Rodriguez on East L.A. On abiding view; no closing date set. Union Station, 800 N. Alameda St., burghal Los Angeles, metro.net.

Daniel Hawkins, “Desert Lighthouse.” The Los Angeles-based artisan is bedeviled with bearing works that toy with account of grandiosity, abortion and gestures that bound on the Sisyphean. (One of his goals as an artisan is to ultimately body a calibration replica of the Hoover Dam.) Now, Hawkins has installed a 50-foot tall, absolutely activity alarm in the Mojave Arid in the around of Barstow. The allotment alike appearance a ablaze to adviser travelers through this asperous landscape. Directions and coordinates can be begin on the website. On abiding view, Hinkley, Calif., desertlighthouse.org.

carolina.miranda@latimes.com

Twitter: @cmonstah

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